This article is about the location. For the tribe, see Children of Echoes.
"Children of Echoes" is a subarea located in Tequemecan Valley, Natlan.
It is the home of the Nanatzcayan tribe.
Points of Interest[]
There are 2 points of interest in "Children of Echoes":
| Name | Description |
|---|---|
 |
Muhuru's Gemporium is run by Cheven. The supplies restock Every 3 Days.[verification needed] |
 |
Stage Tepetl is a grand stage where the Children of Echoes host dance battles every day (and night). It is outfitted with a DJ booth, fire-spewing stage props, and a very sturdy frame. |
Quests[]
Story Quests
World Quests
Commissions
- Grow Up Quickly, Littl'Un
- Grow Up Quickly, Littl'Un...?
- Tending to a Tepetlisaurus
- Tending to a Tepetlisaurus: In Search of a Recipe
Features[]
Exploration[]
Enemies[]
Common Enemies[]
Interactables[]
Sundjatta's Phlogiston Forge Notes[]
This interactable woven scroll is found right outside Xilonen's workshop after completing the step "Head to Xilonen's workshop" in the quest Flamelets.
- O craftsman who unrolls these scrolls, my name is Nare Magan Sundjatta, the 52nd chief of Nanatzcayan. I am Mbande's successor. I shall be like Daurama, Nayoga, and Sanhaj. I will weave ancient texts into a tapestry, I shall speak of the foundations of phlogiston-forging, and spare you needless detours.
- ...
- Chapter V: Another Possibility for Phlogiston-Forging Techniques
- According to the scroll left behind by our great-mother, Sakkuk, the techniques of phlogiston-forging originated from the ancient dragons. In their era, there existed a more marvelous forging method beyond present imagination, one that directly forged Phlogiston into different materials.
- Such mastery was witnessed by Sakkuk, and the founding pioneer, Ixquieh, earned her title as "Hero of the Forged Flame" by truly understanding how to smelt phlogiston itself. She was no dragon — but having had no parents to grant her a name, she named herself in draconic tongue and style. So in theory, mastery of this advanced phlogiston-forging art was within human reach.
- Regrettably, Ixquieh's manuscripts number few and far between. She set fire to her own workshop, including her writings about forging, and took her own life while forcing her brother do the same, to avoid his leaving a tarnished legacy like that of Och-Kan. In a sense, it was she who slew her own kin, Teteocan's first chief. I cannot pass judgment on that choice, as each era has its morals. Yet the loss of such craftsmanship is regretful, and haunts future smiths still.
- The 13th chief, Hun Toh, — may fire bless his name — spent his entire life trying to grasp the art of phlogiston-forging, but found no success. I tried it in my youth and failed as well. To you, smiths of future ages: You may try, but do not squander your years and strength. For weaving matter with phlogiston is like building an unshakable house from ground Grainfruit dust, all while tracking the placement of each speck. One misstep, and the entire structure will collapse. Based on my experience, with our current technological constraints, ordinary humans cannot attain this great endeavor. Therefore, I advise you to focus on using phlogiston as a supplementary material for tempering metals and jade rather than treating it as the foundational substrate of your forging.
- But this does not spell our defeat, nor our inability to surpass our ancestors and the ancient dragons. Remember, phlogiston is but a tool, and as a craftsman, it is your hand that guides the tool, not the other way around. After all, only a craftsman — you, a human — can materialize ideas and concepts into reality.
- In fact, many recorded ideas from Sakkuk's time have been realized by now, even though no smith in these centuries has ever mastered the forging of phlogiston itself. Take, for instance, golden discs that preserve song and melody, platforms suspended briefly aloft by phlogiston, or vehicles that may carry us over all manner of terrain. Such marvels abound! Future generations of craftsmen — may they live in peaceful times — might build upon these techniques to achieve wonders beyond our era's imagination. This is the legacy of Nanatzcayan: A "blessing" born of mortal hands, not the boon of gods or masters.
- ...
NPCs[]
- Vendors
- Imix — Apprentice, Muhuru's Gemporium
Descriptions[]
The settlement of the tribe who live alongside the Tepetlisaurs, known as the "Children of Echoes." Whether it's the clanging of artisans' hammers or the tapping of gem hunters testing the rocks, echoing sounds can be heard throughout the canyon.
Viewpoint, Land of Many Echoes
Soundtracks[]
| No. | Soundtrack Name | Album | Played In |
|---|---|---|---|
| 11 | Descendants of Ahkantenal | Land of Tleyaoyotl | "Children of Echoes" Serenitea Pot |
| 12 | Arcana of Zipacna | Land of Tleyaoyotl | "Children of Echoes", Rhythm Ball Meztli (Point of Interest) Serenitea Pot |
| 13 | Beat of Boulders | Land of Tleyaoyotl | "Children of Echoes" |
Other Languages[]
| Language | Official Name | Literal Meaning |
|---|---|---|
| English | "Children of Echoes" | — |
| Chinese (Simplified) | 「回声之子」 "Huíshēng zhī Zǐ" | "Children of Echoes" |
| Chinese (Traditional) | 「回聲之子」 "Huíshēng zhī Zǐ" | |
| Japanese | 「こだまの子」 "Kodama no Ko" | |
| Korean | 「메아리 아이」 "Meari Ai" | |
| Spanish | Vástagos del Eco | Kindred of the Echo |
| French | Enfants des échos | Children of Echoes |
| Russian | Дети Эха Deti Ekha | Children of Echo |
| Thai | "บุตรแห่ง เสียงสะท้อน" | |
| Vietnamese | "Con Của Tiếng Vang" | |
| German | „Kinder der Echos“ | "Children of Echoes" |
| Indonesian | "Putra-Putri Gema" | Sons and Daughters of Echoes |
| Portuguese | Filhos dos Ecos | |
| Turkish | "Yankıların Çocukları" | |
| Italian | Figli degli Echi | Children of the Echoes |
Change History[]
Released in Version 5.0
Version 5.8
- Added the interactable "Sundjatta's Phlogiston Forge Notes" outside Xilonen's workshop after completing the step "Head to Xilonen's workshop" in the quest Flamelets.
- "Children of Echoes" was released.
